Posts filed under Career

My Year In Review

The word that comes to mind as I reflect on 2018 is full. The year was full of amazing and unexpected opportunities for my creative projects. My contact list of other artists around the country has grown full. And my heart is full with gratitude for what came to pass and anticipation for what's next. Here are just a few of the highlights from the year:

JANUARY

  • Recording sessions for The Four Immigrants cast album

  • Tagged along on Brad Erickson's Djerassi Winter Retreat to work on Kinda Home

FEBRUARY

  • Invited as a Guest Artist to speak to a class at SF Conservatory of Music

MARCH

  • The Four Immigrants received 6 SF Bay Area Theatre Critics Circle Awards

  • Inside Out & Back Again opened at Bay Area Children's Theatre

  • Story Explorers school tour began

  • Austin & Min Write a Musical launched

APRIL

  • Developed Kinda Home at the TheatreWorks Writers Retreat

MAY

  • Joined the TYA/USA Equity, Diversity & Inclusion Task Force

  • NYC Trip!

JUNE

  • Visited Charleston, SC to do research for Kinda Home

  • Calafia: A Reimagining developed at The Ground Floor

JULY

  • The Four Immigrants cast album released!

  • Reading of Act I of Kinda Home with Playwrights Foundation

  • Story Explorers received a Safeway Foundation Grant

AUGUST

  • Attended CAATA's ConFest in Chicago and met a lot of really cool people!

SEPTEMBER

  • 4-week residency at Djerassi where I also met a lot of really cool people!

OCTOBER

  • Invited as a Guest Artist at Harvard University

  • Workshop for Gold: The Midas Musical at Bay Area Children's Theatre

  • Joined the Just Theater Play Lab 2018-2019 cohort

NOVEMBER

  • NYC Trip!

  • Awarded a residency at the Kimmel Harding Nelson Center for the Arts in March 2019

DECEMBER

  • Calafia: A Reimagining recevied a Theatre Bay Area CA$H Grant towards a workshop in 2019!

Photo by Javier Briones

Photo by Javier Briones

Onward to 2019!

Posted on December 21, 2018 and filed under Career, Creative, Musical Theater, Performing Arts.

The Boring Days

Social media feeds can curate our lives in a way that we are really only seeing the most lively, eventful moments in other people’s day-to-day. When people see me in person, they tend to comment on how busy I am. And while it’s true that this has been a very full year, the truth is there are lulls and moments where there isn’t anything Insta-worthy. Here’s what you’re not seeing.

  • the days when, no matter what I try, I can’t quite seem to churn much writing out

  • the days filled with responding to emails and admin work

  • the days of grantwriting

  • the days I’m sick

  • the days of self-doubt and wondering again whether I have what it takes (even though I’ve gone through this rigamarole time and time again)

  • the days when I feel like I have nothing to say, post, contribute

  • the days I feel overwhelmed by the sadness and horrors in the world

  • the days when I’m just tempted to play video games instead

I guess I put this here to remind myself that social media is a version of storytelling, where we really only get the highlights. But these normal, tough, boring, less attractive days are as much a part of my writing journey as the successes and triumphs. Keep on keeping on, I guess?

Posted on November 28, 2018 and filed under Career, Creative, Thought, Writing, Story.

Adventures in Time and Space

The view from my studio

The view from my studio

On the Djerassi Resident Artists Program website, one of the banners simply states “Time + Space.” Sci-fi associations aside, I found that during my month at Djerassi (September 5-October 3), time and space were the very things I needed, learned from, grew from. It’s easy to think that a residency will only entail free time to create and create - and indeed it does. But something else accompanied me when I was given time and space: my own thoughts. Even though I take time for self-reflection and self-care in the midst of my day-to-day grind, to have openness of thought for longer than a week, even a couple days, is rare for me. Philosophical musings arise. Emotions long-buried bubble up to the surface. Djerassi for me was as much about opening up to myself as it was to my creative process. In fact, I am more and more convinced that there is no distinction between the two. I am my creative process - which echos the name of this entire blog site: Life is Dramaturgy. Being surrounded by beautiful vistas with like-minded artists is fertile ground for creative exploration. And, it is also an almost other-worldly place where you see yourself, forgive what needs forgiving, soothe what needs soothing, and bolster what needs bolstering. It’s perhaps too early to say, but I feel my residency at Djerassi will prove itself to be a self-, career-, and art-shaping period for me.

Me and fellow residents appreciating an installation by Kathryn Cellerini Moore.

Me and fellow residents appreciating an installation by Kathryn Cellerini Moore.

I’ll never forget the people or the place
or the gift of time and space.

Posted on October 4, 2018 and filed under Career, Creative, Thought.

ConFest 2018

Last week, I was in Chicago for ConFest 2018 - the bi-annual gathering hosted by the Consortium of Asian American Theatres and Artists (CAATA). Upon returning, I set out to write a blog post outlining my experience at ConFest, but found that words fell short. Randy Reyes of Theater Mu recently wrote an article for American Theatre magazine, and it seems he faced the same issue. He writes: 

How would I be able to summarize the experiences of attendees who used adjectives like “inspiring,” “incredible,” “exhausted,” “life-affirming,” “breathtaking,” “amazing” and “life changing”?

So similarly, I'll just post his article here in lieu of a blog post. And if you're really curious why ConFest was so "inspiring," "incredible," etc., you can ask me in person next time you see me! ;)

Me with some ConFest colleagues: Traci Kato-Kiriyama, Byron Au Yong, and Howard Ho.

Me with some ConFest colleagues: Traci Kato-Kiriyama, Byron Au Yong, and Howard Ho.