This past weekend, The Song of the Nightingale opened once more in the Bay Area, this time at Town Hall Theatre in Lafayette. This is the first time I've had a second local production of a show, and a newly revised one at that. I approached this production as an experiment: if The Song of the Nightingale had a new theatre company producing it with a new creative team and a (mostly) new cast, what would I discover about the show? I'm excited to say that I learned that the story of the show still shines through. The design elements, direction, and actor choices may be new, but the characters remain trackable, even more so with the new revisions.
I also learned that this show is a very meaningful experience for the cast members. There are very few musicals that feature Asian-American actors, and those that do are problematic for a variety of reasons. I received feedback from actors in Nightingale that they were very proud to be a part of this show. Several of them felt that for the first time, they could be themselves onstage and backstage. That they weren't putting on a white character or a white perspective of what it means to be Asian. It has been a goal of mine to create more roles for Asian-Americans in musical theatre, and I'm so honored to hear the effect it's having on my friends and colleagues.
Finally, I discovered that I love this show. It holds a very special place in my heart as my very first passion project for musical theatre. The script and score are certainly written by a younger me, and it was an interesting challenging revising the material in a way that stayed true to that younger style of writing. At times, I did wonder if those watching it would sense this "younger me" and consider it an amateur attempt at writing. But while watching it on opening night, I felt confident that I love the show for what it is. The Song of the Nightingale will always be the project that started it all.